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Masks mark a variety of events throughout the cycle of life and death, and the concept of transformation is essential to their meaning.

Donning a mask and costume and performing in a masquerade that includes the appropriate music, words, and ritual change the male performer into an ideal of feminine beauty, a personification of power, or a spiritual being.

Reacting to CENCO's decision, the opposition vowed to hold a nationwide protest on April 10.

“I call on the Congolese people to mobilise themselves for a big peaceful march throughout the republic and the diaspora (abroad),” the UDPS, the main party in the opposition coalition, said in a statement.

The carved white-faced masks of southern Gabon (pictured to the left), for instance, depict serene women.

This expression contrasts with their performances at funerary rites, which are characterized by vigorously athletic stilt dances.

Albert Schweitzer, B97.0017 The masks of both the Kete and the Mbagani are notable for their concise, geometric forms.

Congo's government has blamed unidentified “negative forces” for their disappearance.

The Kete use masks of a similar style in initiation rituals.

Face mask (mukudj) Punu or Lumbo peoples, Gabon First half of the 20th century Wood, pigment, kaolin H. (12 5/8 in.) The Israel Museum, Jerusalem, gift of Lawrence Gussman, New York, to American Friends of the Israel Museum in memory of Dr.

Pictured above (from top to bottom) Mask (kibwabwabwa) Kete or Mbagani peoples, Democratic Republic of the Congo 19th-20th century Wood, kaolin, pigment H.

28.3 cm (11 1/8 in.) The Israel Museum, Jerusalem, gift of Lawrence Gussman, New York, to American Friends of the Israel Museum in memory of Dr.